1 00:01:26,250 --> 00:01:26,829 Get your hands up. 2 00:01:44,359 --> 00:01:45,920 This will bring all the cops in town. 3 00:01:48,709 --> 00:01:49,450 I'll get rid of him. 4 00:02:07,849 --> 00:02:08,830 That's the end of Operator 99. 5 00:02:22,599 --> 00:02:24,229 Then we dredged the sedan out of the water. 6 00:02:25,090 --> 00:02:26,969 It's certainly the most valuable car in the world. 7 00:02:27,969 --> 00:02:30,840 There was a quarter million dollars in gold built into the body. 8 00:02:31,620 --> 00:02:32,900 And Belmont almost got it. 9 00:02:33,319 --> 00:02:35,020 Unfortunately, we didn't get Belmont. 10 00:02:37,990 --> 00:02:40,569 Headquarters is getting impatient over the fact that he's still at large. 11 00:02:41,409 --> 00:02:42,590 I'll have to answer their letter tonight. 12 00:02:47,069 --> 00:02:50,199 Oh, don't bother. I'll dictate it on the machine, and you can type it up tomorrow. 13 00:02:50,580 --> 00:02:55,990 All right. 14 00:02:56,750 --> 00:02:57,370 Good night, Jerry. 15 00:02:57,509 --> 00:02:58,050 Good night, Joyce. 16 00:03:16,560 --> 00:03:18,530 Confidential data in the Belmont case. 17 00:03:20,780 --> 00:03:23,169 In Jim Belmont, we are dealing with a criminal genius. 18 00:03:24,770 --> 00:03:27,020 Following his spectacular escape from custody, 19 00:03:27,020 --> 00:03:30,389 he did not hide out like the average criminal. 20 00:03:32,590 --> 00:03:36,560 Instead, he conceived a daring plan to steal the crown jewels 21 00:03:36,560 --> 00:03:39,449 of the Archduchess Cornelia from the Glenview Bank. 22 00:03:48,860 --> 00:03:51,280 Lock this up in the strong room, will you, Benson? Yes, sir. 23 00:03:54,469 --> 00:03:56,889 It will only be for a little while and be a great convenience to me. 24 00:03:57,110 --> 00:03:59,189 We're happy to be of service to you. Thank you. 25 00:04:35,329 --> 00:04:35,670 All set? 26 00:04:36,089 --> 00:04:37,209 Everything is working smoothly. Calling F2. 27 00:04:38,370 --> 00:04:41,740 B1 calling F2. 28 00:04:45,350 --> 00:04:48,170 F2 speaking. Come in, Chief. We're ready to go. 29 00:04:49,009 --> 00:04:49,629 Start rolling. 30 00:04:50,500 --> 00:04:53,139 The keys are in the top left-hand drawer of the information desk. 31 00:04:53,879 --> 00:04:55,100 The case will blow up in two minutes. 32 00:04:55,699 --> 00:04:55,959 Right. 33 00:04:56,629 --> 00:04:56,990 Let's go. 34 00:05:05,920 --> 00:05:07,870 Get the fire extinguisher. I'll turn in the alarm. 35 00:05:31,939 --> 00:05:37,129 Where's the fire? In the safety vault in the basement, Chief. 36 00:05:39,149 --> 00:05:41,350 You see the result of perfect planning and timing, my dear? 37 00:05:41,730 --> 00:05:44,490 Yes, but Farrell had better be out of there before the real firemen arrive. 38 00:05:52,939 --> 00:05:53,870 We heard the explosion. 39 00:05:53,879 --> 00:06:05,600 The fire's in there, back of the bulk in that... Glad you got here. 40 00:06:05,620 --> 00:06:06,399 This won't put it out. 41 00:06:14,819 --> 00:06:15,600 Why doesn't he hurry? 42 00:06:34,230 --> 00:06:38,040 There he is. 43 00:06:38,079 --> 00:06:40,439 I've burned my face. I have to get to a hospital. 44 00:06:53,819 --> 00:06:54,620 Blake's after him. Step on it. 45 00:08:11,269 --> 00:08:14,449 A study of Belmont's methods reveals one dominant characteristic. 46 00:08:16,089 --> 00:08:18,870 He has, as his associates, only expert criminals. 47 00:08:20,540 --> 00:08:23,040 This suggests a method of drawing him into the open. 48 00:08:25,800 --> 00:08:30,829 Left of rare paintings still unsolved, looting of City Museum remains a mystery. 49 00:08:31,689 --> 00:08:34,320 Police are at a loss to guess how the theft was engineered. 50 00:08:34,759 --> 00:08:37,580 With guards on watch inside and at every door, 51 00:08:37,580 --> 00:08:41,019 an unidentified man performed the impossible feat of stealing the painting. 52 00:08:41,690 --> 00:08:43,360 I'd like to meet the man who had talent enough 53 00:08:43,360 --> 00:08:45,029 to do it right under the noses of the police. 54 00:08:51,289 --> 00:08:53,409 Talking about the museum robbery? Yes. 55 00:08:54,029 --> 00:08:55,009 I found out who did it. 56 00:08:55,529 --> 00:08:58,259 Who was it? A guy by the name of Shaw. I found 57 00:08:58,259 --> 00:09:00,000 out about it from Harris, one of the boys. 58 00:09:00,759 --> 00:09:02,429 Shaw was smart enough to steal the pictures all right, 59 00:09:02,429 --> 00:09:04,100 but now he doesn't know how to dispose of them. 60 00:09:04,740 --> 00:09:05,379 They're too hot. 61 00:09:06,159 --> 00:09:08,080 We could sell those paintings to our agents in the East. 62 00:09:08,700 --> 00:09:10,679 Shaw would probably be glad to get a small cut. 63 00:09:12,259 --> 00:09:14,639 Get word to him that I'll meet him and make a deal with him. 64 00:09:23,990 --> 00:09:25,250 Better make this a good job, Ed. 65 00:09:25,809 --> 00:09:27,230 Have to meet Belmont face to face. 66 00:09:28,009 --> 00:09:29,289 How close do you expect to get to him? 67 00:09:30,110 --> 00:09:31,549 Close enough to handcuff him, I hope. 68 00:09:32,789 --> 00:09:35,070 He fell for the story I planted about the museum robbery. 69 00:09:35,730 --> 00:09:38,289 Finally, a message filtered through that Belmont would meet Shaw 70 00:09:38,289 --> 00:09:41,350 9 o'clock tonight in the rear of a building on Garrick Street. 71 00:09:41,490 --> 00:09:43,370 Well, you will be, Shaw. 72 00:09:44,409 --> 00:09:47,919 I've been making up our operators for 10 years, and I've never had a complaint yet. 73 00:09:48,960 --> 00:09:49,840 How does it look, Miss Kingston? 74 00:09:53,169 --> 00:09:55,000 Put the wig on him so I can get a better idea. 75 00:10:08,700 --> 00:10:10,590 Why, it changes you completely, Jerry. 76 00:10:24,610 --> 00:10:26,019 I only hope it fools Belmont tonight. 77 00:10:47,950 --> 00:10:48,330 Freeze! 78 00:10:49,490 --> 00:10:51,679 Who are you and what do you want here? I'm Shaw. 79 00:10:52,740 --> 00:10:53,519 Just a minute, Shaw. 80 00:10:55,820 --> 00:10:56,480 What's the idea? 81 00:10:57,990 --> 00:10:59,490 Just to make sure you don't have a gun. 82 00:11:00,289 --> 00:11:02,009 Okay, go down those steps to the basement. 83 00:11:23,250 --> 00:11:24,450 Don't come any closer, Shaw. 84 00:11:25,549 --> 00:11:27,149 Unroll those paintings so that I can see them. 85 00:11:27,929 --> 00:11:32,870 All right. 86 00:11:34,889 --> 00:11:35,549 What does this mean? 87 00:11:36,149 --> 00:11:37,009 It's an arrest, Belmont. 88 00:11:38,190 --> 00:11:38,649 Ah, yes. 89 00:11:39,610 --> 00:11:40,850 I recognize your voice now, Blake. 90 00:11:41,929 --> 00:11:43,370 You've aged a lot lately, haven't you? 91 00:11:43,889 --> 00:11:45,909 I'll feel a lot younger when you're behind bars. 92 00:11:46,549 --> 00:11:47,700 You'll never foot me there. 93 00:12:06,220 --> 00:12:09,200 You were very clever in baiting your trap, Blake, but not clever enough. 94 00:12:09,990 --> 00:12:11,549 I always keep an ace up my sleeve. 95 00:12:12,549 --> 00:12:15,330 I prepared an unpleasant surprise for anyone who tried to double-cross me. 96 00:12:15,730 --> 00:12:17,389 The bulletproof glass was part of it. 97 00:12:18,679 --> 00:12:20,580 Now, you'll get the rest.